Recommended in NYT's 36 hours in Rome: Fantastic view: the loftiest and best in Rome. From this perch you can see the layout of most of the historic center
1 MIchelin star: "Situated in the heart of Trastevere, this restaurant boasts an ultra-modern design with an interesting play of light and slightly unsettling atmosphere"
1 Michelin star: "This elegant restaurant is in the heart of the historic centre. Amid a decor of frescoes, paintings and modern minimalism, enjoy quintessential Italia..."
1 Michelin Star. Situated in a district that is becoming more and more multicultural, this restaurant continues to showcase Roman and Italian produce and cuisine.
1 Michelin Star: "This restaurant has an unusual dual function - on one side the Osteria has a rustic feel and serves regional fare, while on the other a small, modern..."
1 Michelin stars: "This restaurant has a simple, modern decor. The inventive, personalised cuisine highlights authentic Roman traditions and flavours"
Admire the skyline of Rome through a fresh perspective! These romantic gardens dominate the city. The fragrant orange trees make this spot a dream in Spring.
Before visiting the art gallery, check out the Seville orange garden featuring a curious perspective illusion: stand in the right spot and colonnade appears 35m long while it's only 9m in reality!
For lunch, enjoy one of the most delicious white pizzas you can find on the road. This bakery opened in 1927 is a classic.
Your eyes will be enchanted by these two twins churches: look closely and try to spot the differences between them. A winning tip? Watch "Angels & Devils" the movie beforehand.
After tasting a white pizza with zucchini from this traditional bakery, you will definitely have trouble uttering the words "it's just bread!"
55 flavors await for an ice-cream break for every moment of the day... But be sure to try the famous "bartoccioso", a melange of cookies, meringues and nuts, for a sweet pleasure beyond imagination!
Tra classicismo e barocco. Da ammirare la facciata, che unisce linee rette e opulenza decorativa, e il magistrale colonnato trompe l’oeil di Borromini.
